#Galleried living room plus#

Geha - now director of the Dodd Galleries at the University of Georgia in Athens - these entrepreneurial gallerists occasionally go on to bigger and better things.

“Living with that piece was extremely difficult,” she said. Geha went so far as to accommodate an artist in residence: Jeff DeGolier, who constructed a large installation in her living room out of trash he found around Austin during his week sleeping on Ms. Sometimes visitors showed up at odd hours. “But the upside was that I really did become part of an art community.”

“The downside of it was having a lot of people in my apartment,” said Katie Geha, 36, a writer and art historian, who until recently ran a gallery in her Austin, Tex., apartment. To be sure, sometimes showing art in your home can be inconvenient. Johnson, for example, who had a solo show at Sikkema Jenkins & Co in New York in 2010 and has been featured in group exhibitions at Marlborough Chelsea and the Sculpture Center. Several of the artists featured in these unorthodox shows are already established professionals, like Mr. “For me to come down and have this interaction with them - it’s really personal.” “People travel to the neighborhood, find parking, come to my front gate, call the number because there’s no buzzer,” said Paul Soto, a writer who runs Park View gallery out of his home in the MacArthur Park section of Los Angeles. Indeed, those involved in this gallery scene say the trouble it takes to see shows at odd times in out-of-the-way spaces are a testament to the hunger for art experiences that feel human and intimate.

#Galleried living room plus#

Eddy explained that openings at his place, called Eddysroom, “are semi private events, so please refrain from passing out the address and phone number, but feel free to bring a plus one” - and to “call or text if you are having trouble finding the spot.” In an email to prospective attendees, Mr. As a result, visiting these spaces can take effort. Most of these alternative galleries are open by appointment only and publicize their events through Instagram, Facebook and other social media. “It doesn’t help to be competitive right now.” “A decade ago, collectors would buy works straight out of your graduate school studio and there was a feeling of cutthroat competitiveness,” Ms.